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  • the benefit of all our doubt - 2020
  • the benefit of all your doubt - 2020
  • the benefit of all my doubt - 2020
  • is this enough? - 2018
  • 2020 vision - 2020
  • Shhhhhh... 2019
  • here - video installation - 2015
  • O U T - 2019
  • missing OUT - 2019
  • in your hands 2018
  • the invisible girl - 2019
  • interventions - proposals
  • breath taking - 2017
  • the inaccessibility button - 2017
  • collisions - 2017
  • untitled - video - 2017
  • unremembering - 2018
  • foregin poilcy - fuond framgent - 2018
  • not finished - installation - 2017
  • with them came disease and Christianity - installation - 2018
  • unfinished - installation - 2018
  • self-portrait - relational installation - 2017
  • rumour, humour and bodies of thought - group specific relational social intervention - 2016
  • there's nothing in the turret - site specific relational event - 2016
  • my cock - relational installation and painting - 2016
  • ABOUT M E
  • contact & comments
  • home
  • the benefit of all our doubt - 2020
  • the benefit of all your doubt - 2020
  • the benefit of all my doubt - 2020
  • is this enough? - 2018
  • 2020 vision - 2020
  • Shhhhhh... 2019
  • here - video installation - 2015
  • O U T - 2019
  • missing OUT - 2019
  • in your hands 2018
  • the invisible girl - 2019
  • interventions - proposals
  • breath taking - 2017
  • the inaccessibility button - 2017
  • collisions - 2017
  • untitled - video - 2017
  • unremembering - 2018
  • foregin poilcy - fuond framgent - 2018
  • not finished - installation - 2017
  • with them came disease and Christianity - installation - 2018
  • unfinished - installation - 2018
  • self-portrait - relational installation - 2017
  • rumour, humour and bodies of thought - group specific relational social intervention - 2016
  • there's nothing in the turret - site specific relational event - 2016
  • my cock - relational installation and painting - 2016
  • ABOUT M E
  • contact & comments
dS.art
  • home
  • the benefit of all our doubt - 2020
  • the benefit of all your doubt - 2020
  • the benefit of all my doubt - 2020
  • is this enough? - 2018
  • 2020 vision - 2020
  • Shhhhhh... 2019
  • here - video installation - 2015
  • O U T - 2019
  • missing OUT - 2019
  • in your hands 2018
  • the invisible girl - 2019
  • interventions - proposals
  • breath taking - 2017
  • the inaccessibility button - 2017
  • collisions - 2017
  • untitled - video - 2017
  • unremembering - 2018
  • foregin poilcy - fuond framgent - 2018
  • not finished - installation - 2017
  • with them came disease and Christianity - installation - 2018
  • unfinished - installation - 2018
  • self-portrait - relational installation - 2017
  • rumour, humour and bodies of thought - group specific relational social intervention - 2016
  • there's nothing in the turret - site specific relational event - 2016
  • my cock - relational installation and painting - 2016
  • ABOUT M E
  • contact & comments
Picture
isolate a word and it takes on a strange quality -


words such as 'e n o u g h' or 'more' are determiners, quantifiers that normally precede nouns and

serve to express a reference in a particular context - use such words in isolation, with no given

context, and they become polysemous - with nothing specifically referenced they become unfixed

and openly converse with anything and everything around them - they entangle, weave and

interchange and  morph depending on the context, situation and personal interpretation - isolated

they leave you with a question - enough or more what? -


when advertisers want to sell you something they don't tell you that you want more, they tell you

that you don't have enough - they sell to your perceived insufficiency - it is an industry predicated

on 'you are not enough' - you're not rich enough, you're not thin enough, you're not attractive

enough….. you are not perfect enough = therefore you are not loved enough -


like advertising signs, these are big, bold and impressive, but can they ever be big enough?  -

available to order in any size with lettering formed by negative space, they're slick, crisp and punchy

- they look as if they are pressurized into the space and imminently about to burst from the panels -

they're engorged, over full - too much!


the title is recursive - is this enough?

 
is this enough and more - 2017 - both are 140cm x 92cm, - available to order in any size

2020 vision
Picture
WARNING: THIS WEBSITE CONTAINS LANGUAGE NOT SUITABLE FOR ALL AUDIENCES . . . but don't let that put you off
                                                                                                                                   

© david saunders  2020 all rights reserved
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